Dean Professor of Academy of Cultural Heritage and Creativity, Jinan University of China; isiting Professor and master supervisor of the Central Academy of Fine Arts; Vice-president of the International Organization of Folk Art (IOV); Consultant of the German Committee of the International Council on Monuments and Sites (ICOMOS); Member of the 1st Expert Committee of the International Center for Creativity and Sustainable Development under the auspices of UNESCO (ICCSD); Individual member of the International Mountain Tourism Alliance and (IMTA), member of the Expert Committee of the IMTA ; Deputy Director of the Management Committee of the Collaborative Center for the Promotion of Chinese Culture in Hong Kong, Macau, Taiwan, and Overseas; ember of the Advisory Committee of the Overseas Chinese Affairs Office of The State Council; V Editorial Committee Director of The World of Chinese of the Commercial Press.
Main research areas: protection, research and communications of world cultural heritages, particularly international folk art, cultural heritage and creative industry, international folk art and cross-cultural communications, Sino-German culture and arts, and youth education.
Publications
The Blue Book on China's Intangible Cultural Heritage (2015), Social Sciences Academic Press; A New Theory on Contemporary Folk Arts in the World (2019), Social Sciences Academic Press; Proceedings of 'Belt & Road' International Forum on Cooperation and Exchanges in Cultural Heritage (2017), Social Sciences Academic Press; A Discussion on the Transformation and Regeneration Design of Traditional Handicrafts from the Perspective of the Renaissance of Chinese Culture (Jinan University Journal, Philosophy Edition, February 2021, CSSCI core library journal); The Chinese -language Media in Europe: Its Evolution and Role in Cross-cultural Communication (Journal of Overseas Chinese History Studies, June 2021, CSSCI core library journal).
She has authored nearly 100 articles including The Reutilization of “Belt & Road” Cultural Heritage and the Development of the Creative Industry, A Probe into the Way of “Belt & Road” Cultures Going Global, Belt & Road: The Cooperation between China and Africa, Cultural Heritage is Lasting National Memory, Bilateral “Belt & Road”: Go Global and Draw on Foreign Cultures, Culture Connects the World: “Belt & Road” Arouses Pride and Confidence in National Culture, Homesickness: Everyone's Spiritual Destination, The Power of Cultural Inheritance: “Belt & Road” Cultural Heritage and the Development of Urban Tourist Economy, Quality Workmanship and National Character, Rural Tourism Reshapes and Regenerates Local Cultures, and The Ceramic Culture and the Chinese Dream.
In the past decades, she has planned and chaired the “Guizhou International Folk Art Exposition” (2013-2019) and 2017-2020 “Belt & Road” International Forum on Cooperation and Exchanges in Cultural Heritage, and famous large academic trainings such as 2020 “Guangdong-Hong Kong-Macao Greater Bay Area Youth Creative Design Talent (Creative 100) Training Plan”, sub-forum of “Sustainable Development of Cultural Heritage in the New Perspective” under the 2021 Understanding China Conference. She has led the design of Guizhou Gui'an International Folk Art Expo City in Gui’an Guizhou, province, cultural tourism creative product research and development in Zhongxian, Chongqing Province, Qingdao SCO wife ceremony and other local cultural tourism projects.
Honors
Chen Ping won the “Golden Europe” Award of the European Union of Arts for Cultural and Art Promotion (the first Chinese scholar winning the award) in 2016.
